Written by: Nadia Oualnan
Labrinth is back with his new EP, Prelude, and it’s giving nothing but soulful darkness. The London-born artist has always been known for pushing boundaries, and his new EP is no different. Blending haunting production with his signature dreamy vocals, Labrinth takes listeners on a journey that feels cinematic, emotional, and raw. If you loved his work on HBO’s Euphoria, you’ll hear that same energy running through this body of work, but with an even deeper edge.
Over the years, Labrinth has built a reputation for being more than just a singer or producer. His Euphoria soundtrack became just as iconic as the series itself, capturing the beauty, chaos, and heartbreak of youth in a way no one else could. With Prelude, he taps back into that same world-building talent, serving up a sound that feels like a film score but still hits with the intimacy of a diary entry.
A standout track is “The Pick Me Up,” written, produced, and sung entirely by Labrinth. It’s haunting, it’s vulnerable, and it shows just how powerful his vocals really are. The track balances fragility and strength, floating between ghostly production and soul-stirring emotion. It’s the kind of song that lingers long after it’s finished, reminding you why Labrinth continues to be one of the UK’s most fearless artists.
Another key moment comes with “House on the Hill,” a track that blends sounds in a way only Labrinth can pull off. It’s layered, unpredictable, and effortlessly cool — a mix of genres and textures that shows his versatility. Where some artists might play it safe, Labrinth leans into experimentation, creating something that feels fresh but still true to his unique sound. What makes Prelude unique is its atmosphere. It’s not just about songs you listen to, it’s about moods you feel. From the darker, electronic textures to the soaring melodies, Labrinth builds a world that feels timeless and futuristic all at once.